¼¿ï¤ý½ÇÅ©·Îµå(S/S) ±¹Á¦ ¹®ÇÐÀδëȸ
¡Ü ÀϽà : 2011³â 03¿ù 05ÀÏ(Åä)13:00¡
Date : March 05(Sat), 2011 . 13 : 00¡
¡Ü Àå¼Ò : ¸íÁöÀü¹®´ëÇÐ ¿¹Ã¼´É°ü ¼¼¹Ì³ª½Ç(ÁöÇÏ1Ãþ ¹ÂÁîȦ)
Place : Myongji College Arts Center Conference Hall)
¡Ü ÁÖÃÖ : (»ç)À¯¶ó½Ã¾Æ¹®ÈÆ÷·³(Association Eurasia Culture Forum)
¡Ü ÁÖ°ü : À¯¶ó½Ã¾Æ ¹®Çבּ¸È¸ . ¼´ë¹®¹®ÀÎÇùȸ . Çö´ë¹®ÇÐÆ÷·³
¡Ü ÈÄ¿ø : ¸íÁöÀü¹®´ëÇÐ
Çмú¼¼¹Ì³ª ÀÏÁ¤(Itinerary)
2011³â 3¿ù 5ÀÏ 13 : 00-
¢Ã °³¸·Çà»ç
»çȸ : ä±æ¼ø(Chae Gil Soon, ¼Ò¼³°¡ ¸íÁöÀü¹®´ëÇÐ)
Å뿪 : ¹Ú ¾ÈÅä´Ï³ª (Pak Antonina, ¼¿ï´ëÇб³ ´ëÇпø)
¡Û Á¢¼ö ¹× µî·Ï (13: 00 ¢¦ 13: 30 ) -Acceptance and Enrollment
¡Û ȯ¿µ½Ä ¹× °³È¸½Ä (13 : 30 ¢¦ 13 : 50 )-Opening ceremony
¡Ø ±¹¹ÎÀÇ·Ê
* ±¹±â¿¡ ´ëÇÑ °æ·Ê(Çѱ¹, ¿ìÁŰ½ºÅº, Ä«ÀÚÈ彺ź, Áß±¹)
-ȯ¿µ»ç : È«ÅÂ½Ä (»ç)À¯¶ó½Ã¾Æ¹®ÈÆ÷·³ ÀÌ»çÀå ȫŽÄ(Hong Tae-Shik, Eurasia Culture Forum)
-Ãà »ç : ¸íÁöÀü¹®´ëÇÐ ¼Á¤¼± ÃÑÀå(Myong College President Jung-Sun Suh,Ph.D)
¡Ø ¾ç±¹ ÇÐÀÚ, ¹®È°è Àλç, ±³À°ÀÎ ¼Ò°³
¢Ã Á¦1ºÎ À¯¶ó½Ã¾Æ ¹®Çаú °í·ÁÀÎ ¹®ÇÐ(14:00-15:30)
»çȸ : ¹ÚÀαâ(Pak In Gi, °æÀα³À°´ëÇÐ)
Å뿪 : ¹Ú ¾ÈÅä´Ï³ª(Pak Antonina, ¼¿ï´ëÇб³ ´ëÇпø)
1. ±èºí¶óÁö¹Ì¸£(Kim Vladimir, ¿ìÁŰ½ºÅº ÀÛ°¡)
<°í·ÁÀÎ µ¶ÀÚµé - ÀڽŸ¸ÀÇ ÀÛ°¡¸¦ ã´Ù>
«¬¹¬Ú¬ä¬Ñ¬ä¬Ö¬Ý¬Ú «¬Ü¬à¬â¬Ö ¬ã¬Ñ¬â¬Ñ¬Þ»: ¬Ó ¬á¬à¬Ú¬ã¬Ü¬Ñ¬ç ¬ã¬Ó¬à¬Ö¬Ô¬à ¬á¬Ú¬ã¬Ñ¬ä¬Ö¬Ý¬ñ».
2. ¹Ú¾ÈÅä´Ï³ª(Pak, Antonina, Ÿ½´ÄËÆ® ´ÏÀÚ¹Ì ±¹¸³ »ç¹ü´ëÇÐ)
<¹ÌÇÏÀϹÚÀÇ ¼Ò¼³ ¿¬±¸>
-¡¸Çعٶó±â ²ÉÀÙ ¹Ù¶÷¿¡ ³¯¸®´Ù¡¹ ÁÖÁ¦ ÀǽÄÀ» Áß½ÉÀ¸·Î
¬®¬Ú¬ç¬Ñ¬Ú¬Ý ¬±¬Ñ¬Ü: ¬á¬à¬Ó¬Ö¬ã¬ä¬î "¬¬Ö¬á¬Ö¬ã¬ä¬Ü¬Ú ¬á¬à¬Õ¬ã¬à¬Ý¬ß¬å¬ç¬Ñ ¬Ý¬Ö¬ä¬ñ¬ë¬Ú¬Ö ¬ß¬Ñ ¬Ó¬Ö¬ä¬â¬å"
3. ° ¾Ë·º»êµå¸£(Kan Alexandr, Ä«ÀÚÈ彺ź ÀÛ°¡)
<·¯½Ã¾Æ È«±æµ¿>
-ÀÒ¾î¹ö¸° Á¤Ã¼¼ºÀ» ã¾Æ°¡´Â CIS °í·ÁÀÎ ¹®ÇÐ
¬²¬µ¬³¬³¬¬¬ª¬« ¬·¬°¬¯ ¬¬¬ª¬¬¾ ¬¥¬°¬¯(¬¬Ú¬ä¬Ö¬â¬Ñ¬ä¬å¬â¬Ñ ¬Ü¬à¬â¬Ö¬Û¬è¬Ö¬Ó ¬³¬¯¬¤ – ¬Ó ¬á¬à¬Ú¬ã¬Ü¬Ñ¬ç ¬å¬ä¬â¬Ñ¬é¬Ö¬ß¬ß¬à¬Û ¬Ú¬Õ¬Ö¬ß¬ä¬Ú¬é¬ß¬à¬ã¬ä¬Ú)
¡Ø Åä·ÐÀÚ / ȫŽÄ(Hong Tae Shik, ¸íÁöÀü¹®´ëÇÐ)
ÀÌÇÏÁØ(Lee Ha Jun, °¡Å縯´ëÇб³)
¢Ã Á¦2ºÎ Çѱ¹¹®Çаú ½ÇÅ©·Îµå¹®ÇÐÀÇ Á¢Á¡ ¿¬±¸(15 : 40-17 : 30)
»çȸ : ä±æ¼ø(Chae Gil Soon, ¼Ò¼³°¡ ¸íÁöÀü¹®´ëÇÐ)
Å뿪 : ¾ç·Ú(åÅ Öð, YangLei, Beijing International Studies University, China)
4. ¾Ç¹Ù¸£ ¸¶Á§ äõкÛÈ尔¡¤Ú·ÑÎð«(Akbar•Majet, Áß±¹ ùë萨кðé ÀÛ°¡)
<à¤Ý»Ùþ学与丝绸ñýÖØÙþ学>
Western literature and SilkRoadliterature
5. À±ÀǼ·(Youn, Eui-seoup, ´ëÀü´ëÇб³)
<Áß±¹ Á¶¼±Á· ½ÃÀÇ ¹®ÈÀû À§»ó>
The cultural significance of Korean Chinese poetry
6. ¾ç·Ú(åÅ Öð, YangLei, º£ÀÌ¡ Á¦2¿Ü±¹¾î´ëÇб³)
<ÁßÇÑ Çö´ë¹®Çבּ¸ÀÇ ÇÑ Å½±¸>
——¡°Áö½Äû³â¡±¼Ò¼³ °ú ¡°4.19¼¼´ë¡± ¼Ò¼³À» ´ë»óÀ¸·Î
ñé国与韩国当ÓÛá³说îÜÝï较研ϼ
——줡°ò±青á³说¡±与¡°4.19ìéÓÛ¡±á³说为对ßÚ
7. ±è¼®È¸(Kim Seok Hoi, ÀÎÇÏ´ëÇб³)
<ÀÌÇâ(×îúÁ) ÀÌÁÖ(ì¹ñ¬)ÀÇ Ã¼Çè°ú ±× ¼Á¤Àû üÇèÀÇ ¾ç»ó>
The Experience of Migration and Its Lyric Figuration
¡Ø Åä·ÐÀÚ / ³ª¼ÒÁ¤(Na So Jeong, Æò·Ð°¡ ¸íÁö´ëÇб³)
ÇÑö¿ì (Han Chul Woo, Çѱ¹±³¿ø´ëÇб³)
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